Time Waits for No One

-55x60cm oil on canvas (2025)

The vase—beautiful yet easily broken—serves as a metaphor for values or traditions that can quickly be discarded or shattered when urgency arises.

Beyond its literal depiction of a violent act, the scene hints at broader geopolitical tensions, where one force abruptly destabilizes another. Yet the painting does not pass judgment or take sides; instead, it captures the raw intensity of decisive action confronting passive stability. By highlighting this tension, I tried to reflect on life’s shifting priorities and the delicate balance between creation and destruction—reminding us how swiftly even the most treasured objects or ideologies can be undone when faced with resolute force.

Someone walks on the tree tops,
who lights and extinguishes your star v.2 (Kányádi Sándor)

-Oil on canvas, 70x70cm (2025)

Valaki jár a fák hegyén
ki gyújtja s oltja csillagod v.2
(Kányádi Sándor)

Four Horsemen of the Apocalypse

-50x45cm oil on canvas, wooden frame

This painting was created after visiting an exhibition of El Greco. I was fascinated by his loose, effortless painting style, where brushstrokes seemed to dance across the canvas, yet resulted in precise forms like limbs or entire figures. The work captures the energy of the Four Horsemen with expressive brushstrokes, focusing on movement, light, and shadow to evoke the chaos and power of the apocalyptic scene.

Gilded Reverie

-50x40cm oil on canvas, oak wood frame (2023)

This painting portrays a figure wrapped in a foil blanket, often used to save lives, suggesting a recent escape from a critical situation. The foil forms a makeshift crown atop the figure's head, symbolizing an ironic sense of triumph. Having just escaped, the figure already assumes the role of the king of his environment, highlighting the absurdity of immediate self-aggrandizement.